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The use of the word dub in a recording context originated in the late 1920s with the advent of "talking pictures" and referred to adding a soundtrack to a film it is an informal abbreviation of the word double.
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Dub has become a basis for the genres of jungle and drum and bass. ĭub has influenced many genres of music, including rock (most significantly the subgenre of post-punk and other kinds of punk ), pop, hip hop, post-disco, and later house, techno, ambient, electronic dance music, and trip hop. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects. These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. Similar experiments with recordings at the mixing desk outside the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. Augustus Pablo is credited with bringing the melodica to dub, and is also among the pioneers and creators of the genre. ĭub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late 1960s. It was an early form of popular electronic music. The style consists predominantly of partly or completely instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually through the removal of some or all of the vocals, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub is a genre of electronic music that grew out of reggae in the late 1960s and early 1970s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae.